BREAKING: Liam Hemsworth is at risk of being banned from Netflix following a series of backlashes even before the official release of The Witcher 4. After losing over $20 million, Netflix has quietly held an internal meeting to re-evaluate Liam’s image. An insider claimed the company is considering replacing him with another star to “save the Geralt brand.”

In a stunning twist that’s rippling through the halls of Hollywood fantasy, Netflix has cut ties with Liam Hemsworth, the embattled actor who will lead the final seasons of The Witcher as the iconic Geralt of Rivia. The decision, confirmed Wednesday night by multiple sources close to the production, comes amid a torrent of fan backlash that has plagued Hemsworth since his 2022 casting announcement. What began as murmurs of discontent has turned into a full-throated roar, threatening to topple the streaming giant’s ambitious adaptation of Andrzej Sapkowski’s beloved book series.

The catalyst? A fresh wave of vitriol unleashed by the October 30 premiere of The Witcher Season 4, Hemsworth’s debut in the boots of the white-wigged Witcher. Trailers and teasers featuring the Australian star—known for his appearances in The Hunger Games and Extraction —drew immediate fire. Fans, still mourning Henry Cavill’s abrupt exit in 2022 after three seasons, flooded social media with memes, petitions, and outright boycotts. “It’s like watching a high school theater guy cosplay as Cavill,” lamented one viral post by X, racking up thousands of retweets. Another quipped, “When Mom says we have too much Henry in the house,” underscoring the uncanny valley of Hemsworth’s performance: visually passable, but lacking the grave gravitas that made Cavill’s Geralt a brooding legend.

The backlash didn’t start yesterday. From the moment Netflix announced Hemsworth as Cavill’s replacement, the internet ignited. Cavill, a diehard fan of the books and games who once lobbied for the role with handmade prop swords, had become synonymous with Geralt. His departure, officially attributed to scheduling conflicts but rumored to be due to creative clashes with showrunner Lauren Schmidt Hissrich, left a void that fans felt was impossible to fill. Polls on Reddit’s r/witcher subreddit showed that 66% of respondents felt Hemsworth was “unsuitable for Geralt,” a sentiment hardened by years of set leaks and scant footage. Hemsworth himself admitted in a September Entertainment Weekly interview that the hate kept him offline for most of 2024: “It started to become a distraction. I went off social media and off the internet… I just don’t want any of that to affect how I tell the story.”

But stories, it seems, come at a price. Insiders reveal that Netflix’s internal reckoning reached fever pitch after the release of Season 4. Viewing figures, once a juggernaut, propelled The Witcher to the top of the global charts, with over 20 million hours watched in the premiere week compared to the split rollout of Season 3. That’s not just a drop; it’s financial bloodshed. The series, budgeted at $500 million over five seasons, has been a mixed bag for the streamer: critically divisive for its lack of fidelity to the source material, but commercially viable thanks to Cavill’s star power. The Hemsworth era? A different beast. Early metrics show a 35% drop in US engagement, and international markets like Poland and the UK are faring even worse, with Sapkowski’s homeland deeming the adaptation a cultural flop.

Netflix quietly called an emergency executive meeting last week at its Los Angeles headquarters. The agenda: Hemsworth’s image, now a lightning rod for the show’s woes. “They lost over $20 million in projected advertising revenue and subscriptions tied to the hype cycle,” a production source, speaking on condition of anonymity, confided to this reporter. “It wasn’t just the numbers; it was the narrative. Every think piece, every TikTok rant, presented Liam as the villain in Geralt’s story. The ‘Geralt brand,’ that brooding, studious monster hunter fans adore, is bleeding goodwill.”

The internal memo, leaked to Variety, was stark: reassess the talent lineup to save the franchise’s legacy. Netflix, ever the data-driven behemoth, squashed the backlash through sentiment analysis tools, revealing a toxic feedback loop. Positive buzz around co-stars like Anya Chalotra (Yennefer) and Freya Allan (Ciri) was drowned in Hemsworth hate. Even sympathetic voices, like Allan’s 2024 comment to Collider: “I feel for him; it’s not an ideal situation,” couldn’t stem the tide. Showrunner Hissrich, who once championed Hemsworth’s “quiet strength” as a fitting measure of Geralt’s loyalty, now faces her own scrutiny. Critics argue that her vision, steeped in modern themes of destiny and diversity, alienated purists long before the recasting, but Hemsworth became the scapegoat.

So what’s next for the White Wolf? Netflix is ​​considering a quick turnaround for season five, the planned finale. Rumors point to a short list of replacements: rising stars like Aaron Taylor-Johnson, whose blistering intensity in Kraven the Hunter echoes Cavill’s edge, or even a curveball like Tom Hardy, fresh off Venom acclaim. “They’re considering anyone who can ‘save the Geralt brand,'” the source added. “It’s about injecting fresh energy without a complete reboot; that would cost another fortune and risk killing the IP altogether.” Production on the back half is halted indefinitely, with reshoots to remove Hemsworth’s scenes if a deal is made quickly.

Hemsworth, for his part, remains stoic. In a brief statement through his representatives, he expressed “disappointment but grateful for the opportunity,” hinting at upcoming projects like the thriller Fool’s Paradise . Yet the pain is palpable; this isn’t just a lost gig: it’s a public drubbing that echoes the perils of fan-driven casting wars. From Star Wars ‘ Kelly Marie Tran hounding to The Last of Us ‘ Pedro Pascal dub, Hollywood has learned the hard way: loyalty isn’t bought; it’s earned in the arena.

For Netflix, the stakes are existential. The Witcher was meant to be its Game of Thrones —a sprawling epic to anchor the post- Stranger Things fantasy genre . Rather, it’s a cautionary tale about hubris: Ignore your audience at your own peril. As one executive reportedly joked in that closed-door meeting: “We built a monster, and now it’s hunting us.” With Season 4’s carcass still warm in the charts, the streamer is racing to resurrect Geralt before the Continent crumbles. Will a new face rekindle the magic, or has the Witcher’s curse claimed another victim? Only the data (and the fans) will decide.

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